Being an Artist!

What is it like to be an artist?

Demonstration - IAPS Convention

Part of being an artist ... besides doing artwork ... is attending association meetings, doing research into what you want to paint (if painting is the kind of art you do), accumulating the art supplies, reading books and magazines on your art, attending workshops, conventions, etc. And, what do you do with the artwork you create? Sell it by putting it in a gallery or shows? Marketing is a large part of what you do if you are selling. If it is a hobby, then you are probably giving them to friends and family.

I am in the process of writing a book about "Being an Artist" ... which is my working title. So the ideal of what it is like to be an artist is the gist of the book. I hope to address many of the issues of the life of an artist, not necessarily techniques for painting, but the day to day things we deal with. There is such a misconception about being an artist and how carefree we are. I probably work well over 40 hours a week doing what I do for my art. Yes, our schedule can be flexible, but if not careful, your time gets frittered away before you know it. Respect for what we do, and thinking of it as a job.... yes a pleasurable one ... is a key element in being successful.

So this is just a small snippet of some of what will be in the book. This post is about the most recent attendance at the pastel convention known as IAPS! 

The beginning of the above waterfall! 14"x11"

Attending the IAPS Convention!

This June 2017, my husband and I went to the IAPS convention (International Assoc. of Pastel Societies) in Albuquerque NM. I think this was my eighth convention for IAPS. We love going and Haywood helps out in the Terry Ludwig Pastel booth in the vendor market... so he keeps occupied while I do my networking (meeting with my friends) and demonstrations in the vendor market for Terry Ludwig and Ampersand Pastelbords. In years past, I would go to different sessions, so it was a good thing he was occupied and not just bored and sitting around waiting on me. 

Above you can see the waterfall painting the way it was when I stopped. And, you can see the small number of pastels in the Strada Easel, that I used for the painting. The photograph is in the upper right, but has a glare on it. 

I probably won't do anything more to this painting.... it has charm just the way I left it! And, to the left you can see how I started the laying in of pastel on a grey Ampersand Pastelbord. You can see the simplicity of the dark and light pattern to the painting... which is a wonderful way to see if the composition will work out well.

I was at the Ampersand booth demonstrating the use of their boards! I did this for the three days of the convention's vendor market. I also had on a Terry Ludwig apron, and talked a lot to attendees about the use of his pastels as well as the boards. His booth, a double booth, was just a couple away from me. 

I did four more demonstration paintings over the three days, but I think I'll break up this post into a couple more so it won't become so long. Here is an image of just this painting as I stopped that day.

How I stopped for the day!

 

What is it like to be an Artist?

Maybe Being Able to Paint a Meaningful Painting!

"Not Enough Green!" Pastel 16"x12"

The post title, "What is it like to be an Artist?" could have so many different answers. To me it is the joy I feel when I can produce something that is worthy of a frame, and truly means something to me and maybe to someone else. It means there is joy in the viewing of the painting by others! The painting I am showing at the top is one of those.

A Little History

I started painting ... or I should say, learning to paint ... 45 years ago with oil paint. My Mother brought me her tubes of oil paint from when she painted, and that was when I was a baby. I had just given birth to my daughter several months before and was staying home to raise her. Mom thought I needed something to do! Was she kidding? I had a newborn and had loads of stuff to do!

Well, anyway, that is the start of me trying to paint. And, I had a best friend that was painting and taking lessons, so she encouraged me to do the same. I did find a lady that gave lessons at her home about twice a month on a Tuesday (I think) evening. I probably took about 6 months worth. She had us painting from her own paintings. But, she did allow me after the first one to paint from a photograph I had found in an inspirational publication. I still have that first and second painting, and I am rather proud of what I was able to do!

Along the way my Mom brought me a set of pastels ... Rembrandt .... that she found at a yard sale. Wow, all those colors, and so quick to use. Again, I was off on another adventure. I think that event came about 2 or 3 years after she brought me her oil paint tubes. I also took only two workshops and no other lessons for about 25 of those first years. Both of those were 5-day plein air workshops, one in oil paint, and one in acrylic.

Fast Forward Many Years!

I painted my little heart out and learned loads of stuff from doing so, and from voracious reading of art books, magazines and studying other artists. I made loads of mistakes along the way, but those taught me what not to do. And, it gave me permission to keep trying different techniques, different mediums, and I made lots of artist friends that helped me along the way.

I started framing some work, showing in a couple of local small gallery/frame shops, and started selling about 10 years into my journey. Ah! Reminds me of my favorite saying... "It's the journey, not the destination!" But, I digress. I decided to join the Atlanta Art Center, took on a few volunteer jobs and kept learning. Nineteen years ago, I took my next workshop from a legend in the Atlanta area, Elsie Dresch. This was a pastel workshop, and I took everything she said to heart, and my work seemed to just take off. Elsie, my first mentor, is the one of the reasons I really fell in love with pastels.

But, you know how opportunity comes knocking loudly sometimes? Around that time I started teaching workshops and lessons. I was being asked to teach some of my friends, so I thought it would be a good thing to do. And it kept me learning so I could keep ahead of my students, right? I participated on a website called "WetCanvas" and meet many wonderful giving artists there! One of those made the most important impact on me, my art and my career!

Now We Get to the Answer for the Above Painting!

The person in this painting is truly like no other artist I have met. The plot thickens ... he was on that website, and I had participated for awhile in conversations on the forums about pastels, painting and teaching. He got in touch with me and said something to the effect of, "I know you are teaching classes and workshops, so would you like some samples of my pastels?" Well... that wonderful man was the master colorologist, Terry Ludwig! My answer? Of course, it was a resounding yes. I had heard of his pastels.

Not long after, not to bore you with all the history of it, he came to visit me in the Atlanta area to teach a portrait workshop at the Atlanta Artist Center. Since he was staying with me, we went out to paint plein air, and it being an August morning, it was humid.... and very green! I came around the barn and took this photo, as he was painting. It was a wonderful memory and  I have wanted to paint it for years. I had it taped to one of my cabinets for that eventuality. I did so just a few months ago finally. I framed it and carried it with me to the IAPS (International Association of Pastel Societies) Convention in Albuquerque NM this month (June, 2017). The Terry Ludwig "candy store" booth had it hanging behind the workers that helped attendees pick pastels to purchase and take home with them.

I  painted this memory for Terry and his wife, Marie... and it is now hanging in their living room as a gift from me. We create joy when we paint, and some of the best memories when painting, learning, teaching, visiting galleries and museums, attending events, and best of all ... making artist friends! All these things are joyful if you let them be.